Looking at every facet of the scandal isn't truly Vladimir's project, yet this one-sidedness is another example of a more aggravating trend in how film and TV portray stories of skewed power dynamics and sexual politics on college campuses. Like 2025's After the Hunt, Vladimir primarily centers how people in proximity to the accused are impacted and how they have to learn to adjust their expectations because they came up during "a different time." Even HBO's new comedy Rooster, also debuting this week, flirts with these dynamics thanks to a professor-grad student relationship. (It dodges several bullets because the professor never taught this particular student.) It's tiring to see these stories be used repeatedly as learning moments for people who are unwilling to learn. In Vladimir's case, it's especially tiring to see them packaged with a slew of winking fourth-wall breaks and lightly ironic girlboss needle drops.
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